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14 results for “scaling timeline”
And he would storyboard all these ideas and sets and everything, whether it was aliens or gladiator. And, he could just do them himself. What that does is it lets you kinda get a feel for the story before you do something expensive like hire actors.
42:40 / 43:47
from transcript42:40 – 43:47
and got a whole structure out of it. So now we have the concept, we have the script, now we want to create a storyboard. The storyboard now comes after creating the script. So we basically have this script and structure. So we're gonna pop that into
38:58 / 40:06
from transcript38:58 – 40:06
So twenty one years in AI. But they're three years during version seven. So they're recent releasing a version every five, six months. Yeah. Man, if they get to version 14 in another three years, I can't imagine how fast and epic it's going to be. It
34:29 / 35:40
from transcript34:29 – 35:40
So I started with it in focus, went back, pulled backwards on a chair, and then reversed it, flipped it, and now it looks like it stops on a dime in focus. Right? The number of times I've seen you shoot backwards is incredible. Like, to achieve a cer
35:11 / 36:17
from transcript35:11 – 36:17
And you can set this up on overlap so that it'll automatically publish the short form clips as soon as you publish the long form video, and it'll, like, write the tweets for you or write the TikTok caption for you Yeah. Which is very cool. This is ex
35:54 / 37:08
from transcript35:54 – 37:08
startups in your practice? We're seeing an interesting trend out there where companies aren't needing to raise quite as much as they had in the past. You really have to be careful as a founder to only take on as much money as you really need. You've
20:08 / 21:27
from transcript20:08 – 21:27
ad nauseam because it's gotta cost, what, 1% of using Let me let me bring in producer, editorial director Lon for a second. Lon editorial director Lon could one of these, short videos, like, three seconds clip, if you were to put it into one battle a
24:44 / 25:49
from transcript24:44 – 25:49
I'm gonna go first because mine is a continuation of this episode. So I have a three part carve out that is going to be in the order that I experienced these three pieces of media, and I recommend the same to you. So when was this? August 2019. So th
2:22:20 / 2:23:50
from transcript2:22:20 – 2:23:50
And so here, we were seeding it with an image from DALL E three and then having Sora extend this out in time. So Sora is capable of kind of understanding, you know, what's going on in an image and then extrapolating from there. And so we had a lot of
11:15 / 12:18
from transcript11:15 – 12:18
And as you would expect, the best the edit, if you kind of, you know, use the right, like, noise level, you can get it to maintain most of the structure in the scene, and just only update the style, which is cool. So, towards the end of this video, y
13:26 / 14:31
from transcript13:26 – 14:31
they wanted to use this de aging technology but it would have required them to put, like, the ping pong balls and, you know, on De Niro's face and don't like it. Face, and they're like, yeah. We're not doing it. It's not for us. You know? And they wo
18:43 / 19:59
from transcript18:43 – 19:59
I mean, I I am. Like, for example, okay, this one. Like, you can go into the video, and then you can see what they picked, and then you can go in and edit. And so you can say like, hey, I wanna remove the caption on this word, or I wanna cut this wor
35:18 / 36:23
from transcript35:18 – 36:23
It's trust for agents that's built for builders and founders like me and you. And this came out what day did this come out? Because that's the other thing. I think this may have come out Friday. It was July 25, which was Friday. And then And I think
31:23 / 32:33
from transcript31:23 – 32:33
I yeah. You're on the either. I just looked at the slide out of the teleprompter, and I was like, I should be over here over here. It's the audience POV. I'm going with editorial director, Lon, not Yes. Producer Oliver. I think it's the audience POV.
5:55 / 7:20
from transcript5:55 – 7:20
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